The Last Poets said what few other African Americans would say. They told stories that reflected on the urban political consciousness of the Black Power movement and tackled issues everyone in their community could relate to.
If we are honest with ourselves, systemic racism is not likely to end in our lifetimes, our child’s lifetime or even our grandchild’s lifetime. But it’s when the media trucks have rolled out of town and the social media users are back to commenting about the Kardashians, that we must draw upon the resilience of the ancestors, gather our reserves, renew our partnerships, stand together with our allies and move forward. No, it’s not to continue the dialogue, but to advance it.
The National Minority Consortia (otherwise known as the NMC) supports public media by and about people of color in many contexts. Chances are you already know us, the National Black Programming Consortium. But here’s an introduction to our sister organizations — Latino Public Broadcasting, Pacific Islanders in Communications, the Center for Asian American Media and Vision Maker Media — with this list of five exciting films they have in store.
It is difficult to overstate how far a mother would go for her children. This is why we all go into a bit of a trance at this time of year. We will embarrass ourselves gladly for the corniest Mother’s day gift or card. There’s nothing on that shelf quite enough to express a feeling like “thanks for creating and carrying my heart and bones inside you for nine months!”
Last Thursday, April 23, the eight final teams from this year’s NBPC 360 incubator took the stage at the Jerome L. Greene Performance Space in downtown Manhattan. The producers had spent six weeks honing presentations for this special event: Pitch Black, an evening that spotlighted their ideas in front of a live audience and a panel of industry professionals.
How would you fare with power over the fates of today’s schoolchildren and the public education system? Could you meet the developmental needs of a classroom of ten-year-olds, and pass each of them on to the sixth grade?
Here’s a riddle for you: what do Newark education reform, mental illness, passing for white, African youth culture, intergenerational family conversation, Detroit high school students, the challenges of fatherhood and Washington, D.C.’s U Street Corridor have in common?
She moved with the times. The Lady Who Swung the Band was not a one-genre woman. Blues, swing, bebop . . . you can trace the trajectory of 20th-century jazz straight through her life. She even embraced the free jazz of the 1970s.