AfroPop has delighted audiences for nine seasons. Season nine’s stories are just as beautifully and poignantly told, and remind us that not enough has changed for people of African descent globally. Black Public Media is committed to continuing to bring to the American public these stories and others that celebrate the art, culture and creativity people of African descent for another 10 years.
An American Ascent
AN AMERICAN ASCENT documents the first African-American expedition to tackle Denali (aka Mt. McKinley, North America’s highest peak), while shedding light on the complex relationship many African-Americans have with the outdoors. As the United States transitions to a “minority majority” nation, a staggering number of people of color do not identify with America’s wild places. By embarking on the grueling multi-week climb of 20,237ft Denali, nine African-American climbers try to bridge this “adventure gap” – challenging outdated notions of what adventure looks like by changing the face of America’s biggest and baddest mountain on the 100th anniversary of its first summit.
Intore (The Chosen)
INTORE offers a powerful and rare look at how Rwanda survived its tragic past by regaining its identity through music, dance, and the resilience of a new generation.
It’s a story of triumph, survival, hope, and a lesson in how to forgive and live, through the eyes of a mother whose grief gives hope; an artist who chose to forgive rather than seek revenge; a maestro who brings together the National Ballet with an incredible touch of ge- nius; and a young man who’s determination and hard work has given the Rwandan culture a new dimension of identity and celebration. Through these characters and others, viewers will bear witness to how the nation rose above the ashes of a horrific 1994 genocide, to become a world model of post-conflict peace and unity.
The film features music performances from Rwanda’s top traditional and commercial artists in music and dance, interwoven with poignant interviews from genocide survivors and perpetrators who sit side-by-side; plus Rwandan leaders and legends.
Produced by Rwanda Cinema Center, and Park Hill Entertainment in Association with the Kwetu Film Institute & the Rwanda Media Project.
My Father's Land
Papa Jah, a humble Haitian gardener, has lived in the Bahamas for 40 years. As his marginalized community faces a strict new deportation policy and growing xenophobia in the Bahamas, he returns to Haiti, to reunite with his 103 years old father and the land he left behind.
Watch the filmmaker chat
Every day during exam season, as the sun sets over Conakry, Guinea, hundreds of school children begin a nightly pilgrimage to the airport, petrol stations and wealthy parts of the city, searching for light. This evocative documentary tells the story of these children’s inspiring struggle for education in the face of the country’s own fight for change.
Pangaea is a short film written and directed by Olivia Peace. It tells the story of a young girl, trapped on the roof of her house during the days following the landfall of Hurricane Katrina. The film aims to comment on the lives of the children whose lives were drastically changed by the aftermath of the hurricane and the flooding that followed it, as well as on the role of those who experienced the events on television from the safety of their own living rooms. Pangaea was shot by a group of Northwestern University students over the course of a week in New Orleans, LA.
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One man’s journey to bring about a progressive cultural shift that will end the killing of children in the Omo Valley.
In Ethiopia’s Omo valley, children are being killed horrifically under an ancient tradition known as ‘mingi’. Teeth growing in a certain order can bring a child a death sentence. One young tribesman strives for change through education and adopting the cursed children. But challenging tribal superstition isn’t easy and as he battles to save lives, things are not all that they seem.
Under Kara tradition, any child born with the feared mingi curse must be sacrificed. “Every mingi child must be killed. We do this for the protection of our people” explains Dore Akir, leader of the Kara. A baby is Mingi if it is born out of wedlock, without the blessing of the elders, or if its teeth emerge in a specific order, and any child with the curse is sacrificed shortly after birth, or often left to die in the forest.
This practice of killing mingi children is ingrained in the Kara culture, and has taken place for generations. But now Lale Labuko, one of the first of the tribe to receive a formal education, has returned to the village to end the practice and save the ‘cursed’ children.