Black Public Media supports the development of visionary content creators and distributes stories about the global Black experience to inspire a more equitable and inclusive future.
For more than four decades, BPM has addressed the needs of unserved and underserved audiences. BPM continues to address historical, contemporary, and systemic challenges that traditionally impede the development and distribution of Black stories.
AfroPop Makes The New York Times
Afro Pop makes The New York Times "The 50 TV shows you need to watch this winter" list. The 12th season of the public-television film series focused on voices from the African diaspora begins with “My Friend Fela,” a documentary portrait of the Afrobeat legend Fela Kuti. (World, Jan. 20)
Director of Operations
Director of Program Initiatives
Contracts and Reports Specialist
Fund Development Manager
Director of Emerging Media
Social Media Manager
Special Programs Manager
Cheryl D. Fields
Director of Marketing & Engagement
Darryl Ford Williams
Want to be a part of BPM?
Periodically, BPM has internships available for dedicated college or mature high school students who are interested in our work.
Founded in 1979 as the National Black Programming Consortium, Black Public Media (BPM), began because there was a need to encourage the development of films and television programs about the Black experience that involved creative risks and addressed the needs of unserved and underserved audiences.
Dedicated to creating a pathway for funding and distribution for Black storytellers, BPM provided seed money for projects along with opportunities for distribution through PBS. For many now acclaimed filmmakers, including Spike Lee, Julie Dash, Stanley Nelson, Shola Lynch, and Byron Hurt, BPM became a beacon of support at the earliest stages of their careers. Inspired by a spirit of excellence in stories about the Black experience, BPM’s thoughtful and compelling approach to selecting projects has resulted in supporting a host of award-winning and nominated films. With an expansion of funding support to include content exclusively for the web (e.g., Black Folk Don’t, Evoking the Mulatto, and Ask A Muslim), BPM is regularly engaging the public in necessary conversations about race, history, and social issues through short narratives and online properties.
Today, after more than four decades of historic work, BPM continues to leverage its expertise by investing in innovative content creators, and bringing dynamic programs about the Black experience that provoke, educate, and entertain on and off the screen.
Please join our regular mailing list here for updates on BPM funding initiatives and projects. Join our social media conversations on Instagram, Twitter and Facebook.
From Julie Dash's Daughters of the Dust (1991)
Tel: (212) 234-8200